Of course we need copyeditors, even with spellcheck and grammar check and all the fancy whizbang add-ons to our word processing software but if you are a writer, you need an editor — someone to help you with content and flow and direction. You will need them even if you’ve gotten this far without them. You won’t get better unless you have one.
I know this for myself and I know this for other writers, too, because when I was wearing my professional editor hat (for various publications) I wasn’t just the person writing unfinished essays that I thought were already perfect; I was also receiving unfinished essays the authors already thought were perfect. I’m here to tell you that I am always wrong when I think my piece is just dandy and so were most of the writers submitting to me and you probably are, too.
If you are doing a lot of writing — even publishing a lot of writing – and you are not getting good edits, you should find someone to step in. You can pay someone or join a writing group or find a friend with a keenly critical eye but you should get someone to help you be a better writer because I’ll tell you, I think it hurts a lot of great writers to write a long time without some objective help.
Ok, I know there are geniuses among us (I am most certainly NOT one) and I also know that there are regular people who can dash off something brilliant once in a great while (I have had this happen — but it is a rare thing and I cherish it!) but most of us need help. We need new eyes, we need to rewrite — we need editors.
A good editor is a blessed thing. Someone who can see the structure hiding in your prose and help you tease it out is no small miracle. A good editor makes you a better writer. A good editor makes you read your final draft and marvel at its form and movement. A good editor will push and prod you to say what you think you’ve said but actually kept tucked somewhere up behind your brain. They will ask questions that the reader will ask. They will force you to state what you think is obvious but is really obscure.
A good editor’s suggestions may frustrate you or even make you cry but if they’re good, you can trust them. How will you know that you can trust them? Because after you are done being frustrated and after you’ve wiped away your tears you will realize they are right. You will look at the piece and wonder how in the world you ever thought it could be written any other way. You will realize that what you dismissed as “dumb suggestions” are actually a chance for you to answer your readers’ questions before they’ve even asked them.
Because I really want to bring home what a good editor can do for you, I got permission from Brain Child Mag to share the pdf of an essay I pitched to them with their edits. I believe that Tracy Mayor and Stephanie Wilkinson did the edits on this one. You can download the original essay I submitted here, then the marked up copy here (both in pdf format), and finally go read the finished piece, Textured (you can print the final essay from their web site if you want to do a side by side).
You can see how the piece remained itself but was refined through their questions and suggestions. You can see how the structure was tightened and became more focused. I’ll tell you that I did cry after I got the edits because I thought I already nailed it but I took some time away from it and I called a wonderful writer friend and then I sat down and rewrote it. It’s ok to fuss and flutter and whine when you get feedback and you’re tired and grumpy and sick to death of the piece you thought was done already (as long as you don’t whine to the editor) and it’s fine to have some back and forth to clarify (I think between this first go-through and the final I did ask some questions about their questions) but if you trust your editor (and I implicitly trust the editors of Brain Child) then eventually you need to sit with what they’re asking and figure out how to answer it.
Now here I have to give a shout out for the best editor I’ve ever had, my friend Rebecca Steinitz. I’ve been fortunate to have her eyes for a number of different projects and she is always always always right when she gives me feedback. Always. She can slice through my meandering and find a point I didn’t even know I had. She can eyeball a piece and immediately see what’s superfluous. She does not sugarcoat her feedback but she is always kind. And being a writer herself she knows that writing is its own special kind of hell so she will appreciate the work you put into a piece even as she hands it back and tells you to do it over.
If you don’t have a Becca in your life or can’t afford to hire her but want to become a better writer, I highly encourage you to find a great crit group (and I know how hard that is to come by but keep trying!) or start submitting your work to places where you will have an editor. It’s all fine and dandy to cash those paychecks from, say, Demand Studios or Examiner.com but if you want to be a better writer you can’t stay there. (I’d even argue that sticking around too long someplace where you’re not edited will eventually hurt you by making you lazy and trite.) You may not get paid at Literary Mama but you will get a committed editor and a nice clip, which may help you more in the long run.
Because we all of us — every last one — need an editor.
Note: This post did not have an editor. It would be much better if it did.